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清代碑学和帖学分立之前,一直存在应当学墨迹还是学石刻之间的争论。提倡墨迹者多本于北宋米芾《海岳名言》中的一段言论:“石刻不可学,但自书使人刻之,已非己书也,故必须真迹观之,乃得趣。如颜真卿,每使家僮刻字,故会主人意,修改波撇,致大失真。唯吉州庐山题名,题讫而去,后人刻之,故皆得其真,无做作凡俗之差,乃知颜出于褚也。又真迹皆无蚕头燕尾之笔,与郭知运《争坐位帖》,有篆籀气,颜杰思也。柳与欧
Before the separation of the Ming Dynasty and the etiquette of the Qing Dynasty, there was always a debate about whether ink or stone was to be learned. Advocates of ink are many in the Northern Song Dynasty Miriam ”Hai Yue Quotes,“ a passage: ”Stone carving can not learn, but from the book so that people have engraved books, it must be authentic view, but interesting. Yan Zhenqing, every child’s lettering, it will be the main idea, modify the wave write, resulting in large distortion. Only Jishan Lushan title, title goes away, engraved the posterity, it is true, Yan Chu also out of color and no traces of silkworm swallow dove of the pen, and Guo Zhiyun “fight sitting bit posts”, there is a seal Yan Qi, Yan Jie think too.