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由审美实践创造了盆景艺术从盆景的发展过程来看,我们祖先在长期劳动生产中,逐步认识了花早树木的自然之美,并把它作为审美对象,以满足自己精神生活的要求。这已有悠久的历史了。自魏晋以来,文坛上的山水诗、山水画以至山水园林,都有着高度的发展。在园林艺术发展中,派生出直接以自然树石为创作素材的些子景,纳山野景观于居室之内,即现在的盆景。又进一步以树木为主构成了树桩盆景,成为带普遍性的群众审美对象。而岭南盆景,在南方气候环境中,形成别开生面的地方风格,于晚近自成流派。仅这些事实,历史地说明树桩盆景与我国民族传统文化、古典美学始终紧密联系,形成了自己的审美习惯以及“诗中有画、画中有诗”的艺术特色。所以鉴赏盆景艺术,必须
Bonsai Art Created by Aesthetic Practice From the development process of bonsai, our ancestors gradually realized the beauty of the natural beauty of the early flowering trees in long-term labor production and regarded it as an aesthetic object to meet the requirements of their spiritual life. This has a long history. Since the Wei and Jin Dynasties, literary landscape poetry, landscape painting and landscape gardens have a high degree of development. In the development of garden art, derived directly from the natural stone for the creative material of some of the sub-landscape, Na Shan wild landscape within the room, which is now the bonsai. Further to the trees constitute the bonsai tree stumps, with universal mass aesthetic object. The Lingnan bonsai, in the southern climate and environment, the formation of unique local style, in the late self-contained genre. Only these facts show that the stump bonsai has always been in close contact with our national traditional culture and classical aesthetics and has formed its own aesthetic habits as well as the artistic characteristics of “painting in the poem and poetry in the painting”. So appreciate bonsai art, must