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移情说是西方美学中极具代表性的一种理论,在十九世纪下半叶到二十世纪初,曾经风靡欧美。近百年来的美学家中也几乎是人人讨论移情作用,甚至把美学中的移情说比作生物学中的进化论,把立普斯比作达尔文。[1]尽管这种说法未免言过其实,但移情说在近代美学研究中所产生的影响却是毌庸置疑的。移情说并不是立普斯的新发现,在立普斯之前,特别是费肖尔父子已基本奠定了移情说的基础,但人们习惯
Empathy is a very representative theory in western aesthetics. It swept Europe and the United States from the second half of the nineteenth century to the beginning of the twentieth century. Nearly a century of estheticians are also almost all discuss the role of empathy, and even compared the transference of aesthetics with the evolutionism in biology, comparing Lipps to Darwin. [1] Although this argument can not be overemphasized, the impact of empathy in modern aesthetic studies is unquestionable. Empathy is not a new discovery of Lipps. Prior to Lipps, especially Fischer’s father and son had basically laid the foundation for empathy, but people used to