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刘德宾君是河南一所大学的青年美术教师,硕士阶段主攻中国画,勤奋作画、读书和写作。出于对美术史的兴趣,时常将学习心得电邮给我,也发来一些论文请我提意见,我或给出一些简短的关于读书和写作的建议,不知不觉已有数年,他也在与千年佳作的解读对话过程中艰难跋涉,渐入佳境。我猛然觉得,在我的影响下,似乎这个绘画青年正转变成一个美术史青年,似乎正在抹去一个艺术青年的激情而成为一个读古书的老夫子,值得么?一系列相关的问题浮现在我的眼前:艺术家们惟有通过读书和研究性的写作才能臻于一流吗?解读旧的艺术比制作新的艺术更为重要吗?一件画作被
Liu Debin Jun is a young art teacher at a university in Henan Province. His master’s degree focuses on Chinese painting, hard painting, reading and writing. Out of the interest in art history, I often send e-mails to me, and I also send some essays for comments. I can give some brief suggestions on reading and writing, unknowingly for years, Difficult journey with the interpretation of the Millennium masterpiece, getting better. I suddenly felt that, under my influence, it seems that the young painting artist is being transformed into a young artist in art history. It seems that he is erasing the passion of an art youth to become an old man who read ancient books. Is it worth it? A series of related problems have surfaced in me Can the artist only get first class through reading and research writing? Is it more important to interpret the old art than the new one?