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葛西善藏在早期作品中把自己塑造成了一个抛弃一切的艺术至上者的形象,这个形象在之后的作品中不断被强化。为了维持这个形象,葛西采取了他独特的变形、夸张的创作手法,来不断地确认自我。然而“创作的我”在对“被创作的我”进行印象管理的同时,渐渐被“被创作的我”的形象束缚。本文依照年代顺序,通过分析葛西善藏几篇代表作品中表现的与自我、他人、自然的关系,明晰葛西从自我确立到自我毁灭的过程,探讨“创作的我”与“被创作的我”的关系问题。
Katsushita Hidemasa shaped himself in the early works as a figment of the supremacy of the artist who abandoned everything and was continuously reinforced in his later works. In order to maintain this image, Kasai has taken his unique deformation, exaggerated creative techniques to constantly confirm themselves. However, “Creation of Me ” is gradually restrained by the image of “Created by me ” while managing the impression of “Created by me ”. According to chronological order, by analyzing the relationship with self, others and nature shown in several representative works of Kasai Kasai, this paper clarifies the process of Kasai from self-establishment to self-destruction and discusses the creation of “creative” and “me” Me "relationship problem.