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近些年来,水墨画越来越受到关注,不仅市场火爆,关于它的讨论也此起彼伏。水墨画重新进入人们关注和讨论的视野自然有其历史的原因。当代水墨至少有两个含义,其一,将水墨置于当代艺术的语境中去考察;其二,作为时间概念的“当代”中的水墨。无疑,前者是后者的形式之一。基于此,笔者认为,当代水墨至少有两个路向,一是与当代艺术紧密相关,只是在媒介上使用水、墨等材质;其次,是传统中国画的现代延伸与演进。第二点无疑是当下艺术语境中极其重要但又缺失的一部分,而对它的研究与它自身的发展与高等艺术教育密不可分。
In recent years, more and more concerned about the ink painting, not only the market is hot, the discussion about it one after another. Ink and wash re-enter the people’s attention and discussion of the natural history has its reasons. There are at least two meanings of contemporary ink painting. First, it examines the ink in the context of contemporary art; secondly, the ink in “Contemporary” as a concept of time. Undoubtedly, the former is one of the forms of the latter. Based on this, I believe that there are at least two approaches to contemporary ink painting: firstly, it is closely related to contemporary art, only using materials such as water and ink on the media; secondly, it is the modern extension and evolution of traditional Chinese painting. The second point is undoubtedly an extremely important but missing part of the present artistic context, and its research is inextricably linked with its own development and higher art education.