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新世纪以来,诗歌与现实的关系,似乎一直都是若即若离的。一方面,是网络催生的诗人聚啸山林、快意江湖,大有全民皆诗人、一切可入诗的阵势,好不热闹;另一方面,则是大众对诗歌的无限远离,除去中学课堂上老师对几首现代诗走马观花式的讲解,除去大学中文系学子为了学分不得不对现代诗蜻蜒点水式的消化,现代诗对于大众来说是陌生的。当然,诗歌与大众的疏离,也是当下诗歌界争论不休的问题,是大众的原因,还是诗人自身的问题,见仁见智,莫衷一是。然而,有一点可以肯定,那就是新时期北岛诗歌在思想文化界扮演的先锋角色,已经成为历史,成为记忆了。
Since the beginning of the new century, the relationship between poetry and reality has always seemed to be arbitrary. On the one hand, it is the poet who gathered in the network to gather in Xiao-Xiao mountains and rivers and enjoyable rivers and lakes. There is a great poet in the whole people. Everything can enter the poem’s battlefield, so entertaining; on the other hand, it is the public’s infinite distance from poetry, A few modern poetry cursory interpretation, except for the Chinese Department of University students in order to credit points have to do dragonfly point of modern poetry digestion, modern poetry is strange to the public. Of course, the estrangement between poetry and the general public is also a matter of constant debate among the poetry circles. It is the reason of the general public or the problem of the poet himself. However, one thing is certain: that is, the pioneering role played by Pak Dao’s poetry in the ideological and cultural circles in the new era has become history and has become a memory.