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在我们眼睛里没有超越的时空,只有在我们心灵中可以看到眼睛看不到的世界。抽象审美的体验,是对存在的秩序发生兴趣。抽象审美的体验是在艺术语言结构理解下产生的,语言结构是我们所必须遵守的语言规范,它既是我们存在的基础又是界限。艺术语言结构的产生就有其自律性,不能超出规则的范围。 艺术作品作为一种审美的对象,一种被接受的信息,总是逃脱不了被强加的性质,绘画作品本身造型所产生的节奏、韵律,所提供的情绪就是审美客休,是画家心灵与自然对话后的把握结果。 当前绘画的题材性叙事性已不再是绘画的宗旨,绘画的语言形式是视觉形象,视觉感觉是第二位的也是永恒的,它不会因历史的推移而衍变,是映透人类智慧和精神的,是其它艺术形式无法替代的。如果要叙事性,文学的叙事性更强,那是绘画所不能及的。文学可以仔细深入地描述情节,叙述人物的心理活动和行为的转换过程,绘画与之相比就显得苍白无力。但绘画又是其他门类艺术无法替代的视觉艺术,既然有它的独立价值,就要强调绘画的视觉语言特征。
There is no transcendental time and space in our eyes, only the world that can not be seen in our eyes can be seen in our mind. The abstract aesthetic experience is an interest in the order of existence. The abstract aesthetic experience is produced under the understanding of the artistic language structure, which is the language standard that we must abide by. It is both the foundation and the boundary of our existence. Art language structure has its own self-regulatory, can not go beyond the scope of the rules. As a kind of aesthetic object and a kind of accepted information, art works can not escape the nature of being imposed. The rhythm and rhythm produced by the style of painting itself is the aesthetic judgment, the painter’s heart and nature After the dialogue to grasp the results. The theme narrative of the current painting is no longer the purpose of painting. The language form of painting is the visual image. The visual feeling is second and eternal. It will not be changed by history, Spirituality is irreplaceable by other forms of art. If you want narrative, literary narrative more powerful, it is beyond the reach of painting. Literature can describe the plot in detail, narrate the conversion of the mental activities and behaviors of the characters, and the painting appears pale and weak compared with it. However, painting is another visual art that can not be replaced by other kinds of art. Since it has its own independent value, it is necessary to emphasize the visual language features of painting.