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中国美术会是民国时期唯一的“全国性”、“半官方”(右翼)美术社团,是国民党当局在美术领域实施学术建设和政治渗透的核心单位,担负建设和统制两种基本职能和使命。本文探讨与该会实施学术建设相关的各个方面:建设初衷、具体表现、积极成果、存在不足和原因,并以此为角度,达至对该会有关的历史事实和问题的全面认识。
The Chinese art society is the only “national ” and “semi-official ” (right-wing) art association of the Republic of China, and is the core unit of the Kuomintang authorities in implementing academic construction and political infiltration in the field of fine arts, taking charge of the two basic types of construction and control Function and mission. This article explores various aspects related to the academic construction of the Society: the original intention, concrete manifestation, positive achievements, deficiencies and causes of the construction, and from this point of view, we can reach a comprehensive understanding of the historical facts and issues related to the conference.