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中国书画价格的日渐看涨、书画市场巨大的增值效应,使不少投资者在艺术品拍卖市场中冲锋陷阵,中国书画将成为艺术投资市场中的主流。如今参拍的队伍不断壮大,特别是一些企业家、个体户和有远见的中外合资企业、乡镇企业开始介入书画市场,从而改变了书画艺术品为境外收藏家所独占的局面。赝品充斥市场、真伪混杂,使许多投资者、收藏家望而却步。如何规范市场是当前人们最为关切和期待早日解决的当务之急。 吴光荣先生昔就读于南京艺术学院,大学毕业后立志献身搏泥制壶的紫砂艺术。他不仅自己动手制作,且勇于开拓和创新。《宜兴紫砂壶鉴定》一文便是他多年来从事紫砂器创作的亲身体验中,从工艺角度阐述明清器物与其后仿器乃至现代作品的区别。该文有益于拓宽鉴定明清紫砂壶的思路,对瓣识不同时期的器物也提供了一些有力的佐证。 刘晓路先生应邀在日本讲学期间,曾走访了近二十多个城市的三百多个美术馆,他过眼的日本珍藏之中国书画珍品,对中国古代美术史研究或有一定价值。
The rising price of calligraphy and painting in China and the huge value-added effect in the calligraphy and painting market have caused many investors to charge in the art auction market. Chinese calligraphy and painting will become the mainstream in the art investment market. At present, the participating teams are constantly expanding. In particular, some entrepreneurs, self-employed individuals and far-sighted Sino-foreign joint ventures and township and village enterprises have begun to intervene in the painting and calligraphy market, thus changing the situation in which calligraphy and painting works are exclusively occupied by overseas collectors. Fake flooding the market, the authenticity of the hybrid, so many investors, collectors discouraged. How to standardize the market is a top priority that people are most concerned about and expect to solve as soon as possible. Mr. Wu Guangrong was studying at the Nanjing Arts Institute, after graduating from college determined to dedicate themselves to mud pot purple art. He not only made their own hands, and the courage to open up and innovation. “Yixing teapot appraisal,” a text that he is engaged in purple sandal creation experience for many years, from the perspective of the craft to explain the Ming and Qing artifacts and even the difference between modern imitation and modern works. This article is conducive to broaden the identification of Ming and Qing teapot ideas, also provide some powerful evidence of the different stages of valve knowledge. While invited to give lectures in Japan, Mr. Liu has visited more than 300 art museums in nearly 20 cities. His eye-catching collection of Chinese calligraphy and painting treasures from Japan has a certain value to the study of the history of ancient Chinese art.