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我由台下观赏戏剧到走进艺苑这一从观众到戏剧评论者的角色变换,是从我得以自由地拿起笔,能讲真话开始,至今已有二十多年。作为热爱京剧的回族文人,情之所钟,我首先把精力放在马连良、侯喜瑞、雪艳琴(黄咏霓)三位艺术家身上。原因在于他们的艺术为回族在主流文化中赢得了荣誉。当时,我所陌生的回回大手笔们,谁是戏剧行家,我并不知悉,便斗胆出手,只想在戏剧领域中开掘一番,展示回族另一方面的文化形象。
I have been changing from a stage audience to a stage art anthropologist to drama critic because I have been able to pick up the pen and start the story without any problems. It has been more than twenty years. As a literati who loves Beijing, I first focus on the three artists Ma Lianliang, Hou Xirui and Xue Yanqin (Huang Yong Ni). The reason is that their art has earned honor for the Hui in mainstream culture. At that time, I was unfamiliar back generous, who is a theater expert, I do not know, they boldly shot, just dig in the field of drama to showcase the cultural image of the Hui ethnic group on the other hand.