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●不知滥觞于何时,盆景界开始以枯为美,以古为荣,树木材料讲求苍老,干皮要饱经苍桑,古盆,古架,仿古配件,古诗词题咏,盆景作品大都是古风古貌,仿佛在重现历史。枯木古桩诚然是一种残缺美,但残缺美不是盆景美学的唯一标准,也不该成为盆景美学的主流。朝气蓬勃的青春美,伟岸自然、雄壮豪放的健康美理应成为盆景发展的主旋律。
● I do not know where to start, bonsai community began to wit dry, proud of the past, the tree material emphasis on old, dry skin to get through the Cangsang, Gu pot, antique accessories, ancient poetry, poetry, most of the works of bonsai Is the ancient style, as if to reproduce history. Ancient dead wood pile is, of course, a defective beauty, but the incomplete beauty is not the only criterion of bonsai aesthetics, and should not be the mainstream of bonsai aesthetics. Vibrant beauty of youth, stalwart nature, magnificent bold beauty should become the main theme of the development of bonsai.