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文学在本质上,是不讲功利,不讲实效的,它是对现实状况的超越和对精神彼岸的渴求。毫无疑问,作家应该努力去表现时代,问题的关键是怎样表现。若仅是轻松廉价地对所处的时代采取满足认同的态度,其结果总会使作家被错综复杂的利益、习俗、传统和先入之见束缚住,其作品就难免平庸化、僵硬化,更如何谈论超越时代呢? 作为有责任的作家,他要思考、关心这个世界以及人类的终极命运,对于世界的进步与人类的幸福要抱有强烈的热情。当他面对这个不圆满、有缺陷的世界时,作家需要以自己的理想和同情心去拥抱人类的苦难,以倾听的方式感受某种绝对召唤,以体验性的姿态,表现出他自身的理想和智慧。我们注意到如下文学现象:陕军的东征,中原的突破,晋军的崛起,河北的“三套马车”,苏沪的个性创作……而辽宁的文学创作状况如何呢? 长期以来,辽宁的文学土壤上,崛起了一批代表作家及其作品。比如,著名作家萧军创作了反映东北人民反抗民族压迫的长篇小说
In essence, literature does not talk about utilitarianism and does not work well. It is beyond reality and the desire for the other side of the spirit. There is no doubt that writers should strive to show the times, the key issue is how to behave. A simple and inexpensive manner of approving an identity that prevails in the time it takes will ultimately result in the writer being strangled by the complex interests, customs, traditions and preconceived notions, whose works are inevitably mediocre and rigid, and more so To talk about transcending the time? As a responsible writer, he must think and care about this world and the ultimate destiny of mankind. He must have a strong passion for world progress and human happiness. When he confronted this imperfect and flawed world, the writer needed to embrace the human suffering with his own ideals and compassion, feel some summon summons by way of listening, experience his sexuality and show his own Ideal and wisdom. We noticed the following literary phenomena: the eastern expedition of the Shan army, the breakthrough of the Central Plains, the rise of the Jin army, the “three sets of wagons” in Hebei and the personal creation of the Soviet Union and Shanghai. What is the status of Liaoning literary creation? For a long time, Liaoning Literary soil, the rise of a number of representative writers and their works. For example, the famous writer Xiao Jun created a novels reflecting the oppression of people in Northeast China against national oppression