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郑宝成是一位从研究中国传统雕塑入手,而过渡到当代创作的一位雕塑家,在当今雕塑界,这种情况比较难得。我们知道,二十世纪以降,中国现代雕塑是从学习西方开始的,而来自西方的学院雕塑体系如何适应中国的水土,如何和中国老百姓的趣味相适应,如何进入现代中国人的内心世界,一直是二十世纪中国雕塑所试图解决的基本问题。改革开放以后,当代雕塑的出现带来了雕塑界的深刻变化,人们开始从学院雕塑的束缚中走出来,追求个性的张扬和表达;
Zheng Baocheng is a sculptor who started from studying traditional Chinese sculpture and transitioning to contemporary creation. In today’s sculpture industry, this situation is rather rare. We know that in the twentieth century, Chinese modern sculpture began with the study of the West. How the Western sculpture system adapts itself to China’s water and soil, how to adapt to the Chinese people’s tastes and how to enter the inner world of modern Chinese people It is a basic problem that Chinese sculpture in the twentieth century attempted to solve. After the reform and opening up, the emergence of contemporary sculpture has brought profound changes in the sculpture industry. People began to emerge from the fetters of college sculpture in pursuit of the publicity and expression of individuality.