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博尔赫斯小说的语言以隐喻为基本手法,呈现出喻体超越本体属性的特点,并表现出本体论的姿态;其叙事由形而上意旨与特殊时间融合扩张成独特的心理场域;其形而上思考在吸纳前人精粹同时渗透别致的幻想。本文旨在通过《虚构集》与《阿莱夫》两部短篇小说集研究探求:建构在语言、叙事场和形而上学的叠加之上的“形而上幻想”——这是博尔赫斯小说的独特魅力所在。
The language of Borges’ novels adopts the metaphor as the basic technique, presents the characteristics that the metaphor transcends the noumenon and displays the ontological stance; the narration expands from the metaphysical intention and the special time to a unique psychological field; Thinking of absorbing the essence of the former while infiltrating the fancy fantasy. The purpose of this thesis is to explore the two short stories collections of Fiction and Alef: the “metaphysical fantasy” constructed on the superposition of language, narrative field and metaphysics - The unique charm of.