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在信息与技术饱和的今天,绘画存在的价值在于它承载着与再现传统相反的功能。任何一台蹩脚的照相机都可以让绘画失去其再现领域的特权地位,在此情况下,绘画不再作为人类认知客观世界的手段,也不再是记录、描摹历史的工具,而成为彰显感性、触碰精神世界的方式。当代绘画在文本的世界借助符号的表征、能指的多意性等要素获得了另一种新生。这种新生不同于现代主义以形式自足取代图像叙事的观念。与之相反,随着艺术的边界不断延展,当感性的、诗意的、形而上的艺术话语和社会学、文化学、政治意识形
Today, with the saturation of information and technology, the value of painting lies in the fact that it carries the opposite function from the reproduction tradition. Any crappy camera can deprive the painting of its privileged position in the field of reproduction. In this case, painting no longer serves as a means of human cognition of the objective world, nor is it a tool of recording and tracing history, , Touch the spiritual world. Contemporary painting in the world of texts gains another new life by virtue of the symbolic signification and the signification of meaning. This freshman differs from the notion that modernism replaced imagery narratives with form self-sufficiency. On the contrary, as the boundaries of art continue to expand, when emotional, poetic and metaphysical artistic discourses and sociological, cultural and political ideologies