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(一)“鲁戏”者,非山东之剧,乃改编鲁迅作品之于舞台或银幕者也。“鲁戏”一词纯属笔者杜撰,倘有准确称谓,便如子曰,“必也正名乎”。 借着鲁迅先生120周年诞辰的机遇,“鲁戏”在日见萎缩的戏剧圈里颇有些人为地风火起来,你方唱罢我登场,居然成“闹热局”。其间,市场手段自不待言,却也夹带着某种个人化写作的倾向,不可一例地以樱桃桑椹类之,以应节上市目之。 而且,毕竟还有学术背景。这就是:鲁迅作品的人文价值被重新发现,鲁迅文学地位的权威性被重新确认。
(A) “Lu opera”, non-Shandong drama, is to adapt Lu Xun’s work to the stage or the screen also. The term “Lu opera” is purely my fiction. If there is an accurate title, it will be like “Confucianism”. With the opportunity of the 120th anniversary of Mr. Lu Xun’s birth, “Lu Opera” has quite a few people in the shrinking drama circle, and you sing it to me. It actually became a “noise alarm bureau.” In the meantime, the market means nothing to say, but it also carries a tendency of personal writing. It is indispensable to classify cherries and mulberries in order to be listed on the market. And, after all, there are academic backgrounds. That is to say, the humanistic value of Lu Xun’s work has been rediscovered. The authority of Lu Xun’s literary status has been reconfirmed.