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巴西当代艺术典型特点是对于明确定义的形式概念和语义结构的运用,与他们同时向其他领域靠近(但并非真的超越这些结构)的紧张关系,对材料的独特敏锐度以及他们和材料之间的紧密关系,以及它的感官性,不论是身体和视觉以外感官的参与还是其形容词化。所有的这些特点都在促进多样化,添加复杂性甚至颠覆“当代国际风格”的实行。另一方面,巴西艺术通过把国际方法转变为巴西方法扭转了这一思维方式,或者说通过本地化生产来再现、讨论和传达“普世”内容。新浪漫主义艺术家达马谢诺(Damasceno)把这一特点推向了抽象主观意识的高潮。让人惊讶也令人烦忧的一个问题:“如果艺术反观我们会怎么样?”我的答案将会是:他的艺术是具有视觉的。
Typical features of Brazilian contemporary art are the use of well-defined formal concepts and semantic structures, the tensions with which they approach (but do not really transcend) other areas at the same time, the unique acumen of the materials and the interplay between them and the materials The close relationship, as well as its sensuality, whether it is physical or visual sensory involvement or its adjective. All of these features are contributing to the diversification, complexity and even subversion of the “contemporary international style”. On the other hand, Brazilian art reversed this way of thinking by turning international approaches into Brazilian ones, or reproducing, discussing and communicating “universal” content through localized production. The neo-romantic artist Damasceno pushed this feature to the climax of abstract subjective consciousness. A surprising and troubling question: “What if we look at art?” My answer would be: his art is visually.