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坐拥13朝古都历史的陕西,在21世纪的今天,依然固守着那份由来已久的黄土情结。不论文学作品、歌曲舞蹈还是戏剧影视,似乎离不开也绕不开厚重的黄土,致使外省人提起陕西,总会联想起窑洞、花布、羊皮袄,以及女人辫子上的红头绳和汉子头上的白毛巾。早年间黄土高原的老农形象成了大多数人对陕西人的固有印象,事实上,我们的文艺作品也总在一遍遍强化这些记忆。其中,音乐作品表现尤为突出,而歌词文本作为主要的内容载体,常常决定了一首歌的定位与方向。
Sitting on the history of the 13 ancient capital of Shaanxi, in the 21st century, still stick with the long-awaited loess complex. Regardless of literary works, songs and dances, or drama and film, it seems that inseparable from thick loess, causing other provinces to mention Shaanxi, always reminiscent of cave, cloth, sheepskin jacket, and woman braids red head rope and man head On the white towel. In the early years, the image of the farmer on the Loess Plateau became the impression that most people had on Shaanxi people. In fact, our literary and art work always strengthened these memories over and over again. Among them, the performance of the music works is particularly prominent, and the lyrics text as the main content carrier, often determines the positioning and direction of a song.