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明代条幅书法的发展可以分为三个阶段:前期,条幅创作书体以草书为主,书家在取法上开始向上追溯到唐代张旭、怀素二家,用笔连绵,上下字间多连笔,行气端庄平稳,缺少变化;中期,从前期用连笔以求贯气的做法中走出,开始以用笔的多变、字体势态的摇曳以及字体大小穿插来贯通气息,作品更能表现出书家的气质、禀性以及情感;后期,条幅书法在以徐渭、张瑞图、王铎为代表的狂怪书风上达到艺术成就的顶峰,行、草并重,艺术个性表露且尤重抒情。他们解决了条幅书法创作在技法与思想层面的核心问题,遂将明代条幅书法推向了艺术成就的高峰。
The development of the banner calligraphy in the Ming Dynasty can be divided into three stages: the early period, the banner of calligraphy to cursive, calligraphers in the law began to trace back to the Tang Dynasty Zhang Xu, Huai Su two, with pen, Even the pen, dignified and steady, lack of change; the medium term, from the previous practice with continuous pen out of practice, beginning with a pen of change, swaying font style and font size to penetrate through the atmosphere, works more In the later period, the calligraphy of calligraphy reached the pinnacle of artistic achievement on the crazy calligraphic style represented by Xu Wei, Zhang Ruitu, Wang Duo, emphasizing both the line and the grass, the expression of artistic personality and especially the expression of emotion. They solved the crux of writing and calligraphy in terms of technique and thought, and pushed the calligraphy of Ming Dynasty banners to the peak of artistic achievement.