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建中少喜绘事,及长勤之,其业愈精。后考入南京师大,师之诸名家,又上追宋元,中及明清,下逮近现代名家,皆心慕手追,渐入古人蹊径也。尤于“四王”“四僧”“八家”着力最多,不惟得其形,亦能摄其神。后读硕士、博士,通画史,明画理,方知善画者,能与古人合,复能与古人离,方为会通。即能入古人之蹊径,更当能出古人之蹊径也。如禅家参悟,不死于言下者,方为高僧。然后放笔为之,得天地山川之清气,抒自家胸次之意趣。其为画也,不合于古,不合
Jianzhong less happy to draw things, and long Qin, the industry more refined. After admitted to the Nanjing Normal University, division of the masters, but also to chase the Song and Yuan, Ming and Qing Dynasties, under the arrest of modern masters, are heart Mucha chase, gradually into the path of the ancients. Especially in the “Four Kings” “Four Monks” “Eight” focused on the most, not only its shape, but also to take the picture of God. After reading Master, Ph.D., Tonghua history, Ming Li, Fang Zhi good painter, with the ancients, complex energy and the ancients, the parties will be. That can enter the path of the ancients, but also when the ancestors of the ancients can also. Such as Zen meditation, do not die in words, square monks. Then let go of it, have the world of mountains and rivers of Qing Qi, expressing their own chest of the moment of interest. It is also painted, not with the ancient, different