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沪港经济:众所周知,影像作品是复制的艺术,它的收藏价值体现在哪里?怎样体现其稀缺性?靳:不是说只有“唯一性”才有收藏价值,如果是名家的话,有十件量、五件量,都是具有价值的。现在影像作品有很多也是单一性的,跟绘画作品一样,有的是流传过程中只留下了孤品,有的是艺术家刻意所为,比如说,艺术家大卫·霍克尼(David Hockney)的摄影拼贴作品就有单一性,他是一个跨界艺术家。有的摄影师不希望市场上流通他太多的作品,对自己的艺术保护、价格定位都是有益的。
Shanghai-Hong Kong economy: It is well-known that video works are the art of reproduction, where does its collection value lie? How to express its scarcity? Jin: It does not mean that only “uniqueness” has a value of collection. If it is a famous one, there are ten Quantity, five quantities, are of value. Nowadays, there are a lot of video works that are also monolithic. Just like the paintings, some are only left behind by the artists, some are deliberately made by the artist. For example, the collage of the artist David Hockney There is unity of the work, he is a cross-border artist. Some photographers do not want to circulate too much of his works on the market, and are good for their art protection and price positioning.