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余上沅在社会历史激变的洪流中没有逆势而上,他的“国剧”建设的构想和主张——既承认新剧的长处也指出其偏颇,同时肯定传统旧戏独特的审美特征,并力图在两者之间找到最佳结合点——这种不偏不废,既不盲目崇洋,更不妄自菲薄的态度无疑是顺势而为、深刻的文化自觉的结果。而在追求现代性的同时如何以现代的视野和思维去重新认识和接续传统文化,这也是研究余上沅剧学的题中应有之意。
Yu Shangyuan did not make any contrarian in the torrent of social and historical changes. His conception and proposition of “national drama” construction acknowledged both the strengths of the new drama and its biases, at the same time affirmed the unique aesthetic characteristics of the traditional drama, And try hard to find the best combination between the two - this kind of unswerving, neither blindly worshiping nor making any mistakes is undoubtedly the result of homeopathic and profound cultural consciousness. In the process of pursuing the modernity, how to reconsider and continue the traditional culture with modern vision and thinking is also the meaning of the study of Yu Shangyuan’s drama.