七十年后,期待“华丽转身”

• 出 处: 上海戏剧
• 发表日期: 2013年01期
• 关键词: 袁雪芬 中国传统戏曲 华丽转身 现代戏剧 文艺工作者 第一声 浙江农村 剧场艺术 中国戏曲 近代化历程

七十年前,越剧在上海“华丽转身”。1942年10月28日,袁雪芬领衔的雪声越剧团演出《古庙冤魂》,由此唱响了新越剧改革的第一声。之后,袁雪芬等一批越剧演员和新文艺工作者对来自浙江农村的“的笃班”进行大刀阔斧的改革,越剧建立了完整的现代戏剧编导制度,通过编剧、导演、演员、音乐、舞美的全面发展,在中国戏曲中率先完成了从农村民间艺术向城市现代剧场艺术的转型。它对中国传统戏曲的近代化历程产生了重大影响。

Seventy years ago, Yue Opera was “gorgeous turned around” in Shanghai. October 28, 1942, led by Xuebing Xue Xueyue Opera Troupe performed “Temple innocent soul”, which sang the first sound of the reform of the new Shaoxing opera. Afterwards, a batch of opera singers and new literary and art workers such as Yuan Xuefen carried out drastic reforms in the “Benedictine Class” of “Duxiu ” from the rural areas of Zhejiang Province. The Yue Opera established a complete system of modern theater directoring. Through the playwright, director, actor, music, In the all-round development of Chinese opera, took the lead in completing the transformation from rural folk art to urban modern theater art. It has had a significant impact on the modernization of traditional Chinese opera.