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引言传统陶瓷青花在艺术探索的道路中不断发展,吸收着不同时期的文化背景及其思维精神。如藏传佛教时期元代的莲瓣纹,还有明清年间的青花均吸收了中国画“墨分五色”的分水技法等等,可谓形式繁多,并结合
Introduction Traditional ceramic blue and white flower in the exploration of art in the continuous development of the road, absorbing the cultural background of different periods and their thinking. Such as the lotus petal pattern of the Yuan Dynasty in Tibetan Buddhism period, as well as the blue and white during the Ming and Qing dynasties have absorbed the water diversion techniques of Chinese painting “ink divided five colors ” and so on, can be described as a variety of forms, combined with