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当艺术挣脱传统定义的束缚,真正从象牙塔中被解放出来的时候,它的生存便自然而然地与“传播”一词联系在了一起。大众传播时代下的艺术,显然开始改头换面,走俏在大街小巷,进入寻常百姓家。两年一度的双年展,不仅是当代艺术与艺术品的集合会展,更成为各类媒体争相报道的热点话题,民众每两年一次的“视觉嘉年华”。它的存在吸引了居住在城市的很多股力量并撬动起他们对艺术的热情:民众、政府、媒体、艺术家、设计师、影视导演、文学创作者等等,如何将多股
When art is freed from the shackles of traditional definitions and truly freed from the ivory tower, its existence is naturally associated with the word “communication.” Under the age of mass communication, apparently begin to change the face, popular in the streets, into the homes of ordinary people. The biennial biennial is not only a collection exhibition of contemporary art and works of art, but also a hot topic of all kinds of media coverage and a biennial “Vision Carnival.” Its presence drew many forces in cities and prodded their passion for the arts: people, government, media, artists, designers, film directors, literary creators, etc.,