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大约在过去的30年,一个我们称为后现代主义的时期,文化理论家对西方历史大加评论。可能有必要不时地评论事物,但它也正如同有必要保护我们所关心的事物一样,所以我愿意花一些时间这么做,并且为我最钦佩的绘画类型辩护:现实主义的绘画。 在后现代时代,作为一个整体的绘画是非常复杂的。绘画所受到的批评比其他艺术形式要多;绘画的历史一直被诽谤成一种疾病,而不是一种文化传统。“绘画的死亡”,这一是与摄影术到来的理念,在后现代时期达到了荒谬的顶点。剖析“创新”与“天才的神话”是后现代批评的基础,包括Martha Rosler、Roslind Krauss、BenjaminBuchloh在内的许多作家缩小了绘画过去所
Around the last 30 years, a period we call postmodernism, cultural theorists have remarked on Western history. It may be necessary to comment on things from time to time, but just as it is necessary to protect what we care about, I am willing to spend some time doing this and to justify my most admired type of painting: Realistic painting. In the postmodern era, painting as a whole is very complicated. Painting receives more criticism than any other form of art; the history of painting has been slandered as a disease rather than as a cultural tradition. “The Death of Painting,” a concept that came with the arrival of photography, reached an absurd peak in the postmodern period. The analysis of “innovation” and “myth of genius” is the basis of postmodern criticism. Many writers including Martha Rosler, Roslind Krauss and Benjamin Buchloh narrowed down the past