论文部分内容阅读
陶瓷是中国最古老的艺术。远在商周时期,就有刻画在陶器上的绘画。颜色釉更是传统陶瓷艺术最杰出的代表,高温颜色釉陶瓷艺术传承到今天,已经成为中国传统艺术的民族瑰宝。颜色釉技艺因其特有的复杂性在过去的传承中出现过多次断代现象,而今,高温色釉陶瓷艺术面临最大的问题正是传承和创新。其它艺术门类也同样面临创新与传承的问题,并且中国艺术的今天最大的问题是集体迷路了。西方有自己清晰的发展轨迹,而中国当代艺术却无迹可循,未来更是迷茫无路。我们不禁要问,中国艺术的出路在何方。
Ceramics is China’s oldest art. Far in the Shang and Zhou dynasties, there was a painting depicting pottery. Color glaze is the most outstanding representative of traditional ceramic art, high temperature color glaze ceramic art inherited today, has become a national treasure of Chinese traditional arts. Color glaze art because of its unique complexity in the past, there have been many generations of the phenomenon of dating, and now, high-temperature glazed ceramic art is the biggest problem facing heritage and innovation. Other art genres also face the same problems of innovation and inheritance, and the biggest problem of Chinese art today is the collective lost. The West has its own clear track of development. However, Chinese contemporary art has no trace and the future is even more confused. We can not help but ask: Where is the way out for Chinese art?