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英国哲学家科林伍德曾说:“舞蹈不仅是一切艺术之母,而且是一切语言之母”。不难看出,舞蹈这门伴随人类出现而来的艺术形式有着如此大的影响力。舞蹈融合时间、空间、力度于一体,转瞬即逝是其最具美学特色的魅力所在。而这此对于当代芭蕾来说,更是如此。深受1970年“知识爆炸”、1990年“冷战”结束影响的当代芭蕾,作为芭蕾发展史上的第五个阶段,不仅为世人推出了如伊日?基里安、威廉?富赛斯及马茨?埃克等编导大师,于此同时也为当代芭蕾的样式树立了新风,不少经典作品都在
Collingwood, a British philosopher, once said: “Dance is not only the mother of all art but also the mother of all languages.” It is not hard to see that this form of art, accompanied by the appearance of human beings in dance, has such great influence. Dance fusion of time, space, strength in one, fleeting is its charm with the most aesthetic characteristics. This is even more true of contemporary ballets. As the fifth stage in the history of ballet development, the contemporary ballet, deeply influenced by the end of “Knowledge Explosion” in 1970 and the end of “Cold War” in 1990, has not only launched such programs as the Ezekiel Jillian and William Rich Seth and Mats Eck and other master editors, at the same time as the style of contemporary ballet has set a new trend, many of the classic works are