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回族作家石舒清的《底片》是当代文学界一个特别的存在,它提供了长篇小说另一种写作视域。用“不知”、“好像”省略逻辑关系,用以生活逻辑为基础的想象进行情节过渡,却使作品真实可信;既似短篇小说的连缀,又似记人记事散文,随时开始随时结束;通过发生在一定狭小空间和块状时间中微小的故事呈现中国农村宏大久远的时空影像,尤其是对中国乡土女人的书写,她们一代代走在土地、婆家、繁衍路途中的生命剪影。飞扬的比喻,丰盈的细节,“真实”的想象,熟悉的生命,久留的唏嘘不已。
Shi Shuqing’s “negatives” is a special existence of the contemporary literary world, which provides another horizons of the novel’s writing. Ignoring the logical relationship with “I do not know ”, “as if ”, using the logic of the life-based imagination to make the transition of the plot makes the work credible. It is like a short story, Beginning at any time; showing the long-awaited space-time images of China’s rural areas through the tiny stories that took place in certain small and massive periods of time, especially for the writing of Chinese native women, who, from generation to generation, walked in the land, . Flying metaphor, abundance of details, “real ” imagination, familiar life, long stay sad.