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现代人物画对传统人物画的突破之一,便是人物个性化的刻画。传统人物画造型程式化的主要原因,缘于以临摹先入为主的学习方法。学画者是先通过画谱或粉本理解人物造型的,其创作的形象依据便是前人传下来的画谱或粉本中的人物形象。代代相传,从而形成了同有的程式化造型特征。即便是有所谓的写真.也是以画谱中的造型方法去套客观的对象,最后依然落入程式化的窠臼。明清肖像画吸收了西方绘画的造型手法.在人物面部形象的塑造上有了很大改变,人物的客观属性大大地增强了,形象的个性化
One of the breakthroughs of the modern figure painting on the traditional figure painting is the characterization of the individual figure. The main reason for the stylization of traditional figure painting is due to the learning method which is mainly based on copying and preconceived. The art learner first understands the figure shape through the picture book or the pink book, and the image foundation of his creation is the figure image handed down by his predecessors. From generation to generation, thus forming the same styling characteristics. Even with the so-called pictorial, pictorial modeling methods are also used to set objective targets and eventually fall into the stereotype of stylization. The portraits of Ming and Qing drew on the modeling techniques of western paintings, which have greatly changed the shaping of facial images of the characters. The objective attributes of the characters have been greatly enhanced. The personalization of the images