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色彩是绘画当中重要的视觉艺术语言,在艺术发展史中,在西方色彩的演绎从写生自然主义色彩转化为现代观念主义色彩之路,其中有抽象、和意象色彩。随着社会科技的进步人们对光学的研究促进了对色彩更为理性的认知和探索。色彩慢慢走过了其不同的探索历程,在西方油画当中形成了独立完备的色彩语言体系。色彩是认识世界窥探宇宙奥秘的一扇大门,而中国绘画从早期的重彩转化到黑白,退却繁华走向生命的寂静,中国的水墨黑白世界是对色彩空间的补充和延伸,是生命之色彩,中国的水墨黑白灰囊括了五彩缤纷世界的万象。色彩与水墨的交融已走向现代艺术多元化的趋势。在现代艺术十分注重形式感和追求强烈的视觉冲击力。把色彩和黑白演绎为自己主观的生命色彩。
Color is an important visual art language in painting. In the history of art development, the interpretation of western color has been transformed from the naturalistic color of sketch to the modern conceptualist color, including the abstract and the imagery. With the progress of social science and technology, people’s research on optics has promoted more rational cognition and exploration of color. Color has slowly gone through its different exploration process, which formed an independent and complete color language system in the Western oil paintings. Color is the door to understanding the mysteries of the world. The Chinese painting has been transformed from the early days to black and white, and the bustling life silence has been retreated. The black and white world of China is a complement and extension of the color space and the color of life. China The ink black and white ash encompasses the colorful world of Vientiane. The blending of color and ink has moved toward the diversification of modern art. In modern art, it pays great attention to the sense of formality and the pursuit of intense visual impact. Color and black and white interpretation of their subjective life color.