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徐宏民并不是一个名见经传的人物,但是,他以作品的个性化语言,以整体面貌给人留下深刻印象。他的油画的大致景观是,一个日常性的普通心灵在纷乱的现代生活中的平静独步,而从不做出显山露水和左冲右突的姿态,也不对油画的写实、非写实过多地加以理会,擅长采取以退为进的策略,从仿效流派、风格手法的时尚中解脱出来,而我行我素;他的作品几乎没有大起大落和惊心动魄,却始终如一,依然故我,一切平淡而和谐。在语言上,徐宏民的作品有意地把画面处理得单纯、平淡,有意地用心表现,不管是景物,还是人物,所有的热闹、紧凑的气氛、情节,
Xu Hongmin is not a well-known person, but he impresses with his personal appearance in the personal language of his work. The general landscape of his painting is that an ordinary ordinary soul in the chaos of modern life in the quiet of independence, and never make the appearance of dew and Zuo Chong right-sided gesture, nor the realistic painting, non-realistic He is good at taking retreat as a tactic, freeing himself from the style of imitating genres and styles, and does his job. His works have almost no ups and downs, but they are consistent and consistent, and everything is plain and harmonious. Linguistically, Xu Hongmin’s works deliberately deal with the picture in a simple, plain and deliberate manner in the heart, no matter whether the scene or the character, all the lively and compact atmosphere, plot,