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有两种观念、意味与技法相去甚远的对立自19世纪中叶开始便在法国的画坛上呈互不相融的抵触之势。作为写实派的一方因早已取得了立足的广泛基础自然而然地成为了强势的官方学院派,而作为新生力量倔强成长的另一方则因尚未被广泛接受而成为在野的写实派。基于观念和手法的多元分歧,纷纷扰扰的争端一直围绕着两个派别,最根本、最重要的体现为艺术
There are two kinds of conceptions, which means that the opposite of technique is incompatible with each other in the art circles of France since the mid-19th century. As a realist party, the wide-based foundation it gained long ago has naturally become a strong official academic school. On the other hand, the stubborn growth of the Forces nouvelles forces has become a realistic school of reality because it has not yet been widely accepted. Based on the pluralistic disagreements between concepts and practices, disputes that have been disturbing have been centered around two factions. The most fundamental and most important manifestation of this is art.