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其一:文人的品行左右其艺术创作的心迹纯度和艺术作品的视觉灵魂。余风谷为人与其艺术创作一样,处在同一片纯净之地,其浑然率真的行为意识,融入其作品中,既浪漫天成,又恣肆奔涌,风清谷深,朴素悠长。其二:明清以来,青藤、雪个、缶翁以书见长,骇世不俗,风谷能追其左右,借书法之道行绘画之事,堪称不寻常。书法中的沉静与凝重,对应绘画中的收放与布局,在风谷作品的反映中,高古之气不下,造意变化无尽,其书中有画语,画中有书意。
First, the literati’s conduct parallels the purity of his artistic creation and the visual soul of his artwork. Yu Feng Valley as a person and his artistic creation, in the same piece of pure land, its total rate of true sense of behavior, into his work, both romantic, but also wanton surging, elegant, simple and long. Second: Since the Ming and Qing Dynasties, Ivy, Snow, Ching Weng to see the book, uncommon horror, wind and valley to chase its left, borrowing calligraphy Road line painting, is an unusual. Calligraphy in the calm and dignified, corresponding to the drawing of the release and layout, reflected in the works of Feng Gu, ancient age, endless changes in meaning, the book has a picture, the book has a book.