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这部教材的编写者汤桂琴同志,是陕西省戏曲学校的表演专业教师,曾于1987年入我院表演系师资专修班进修两年,现仍执教于原校。她积多年的教学经验,在继承前辈艺术家艺术成果的基础上,汲取兄弟艺术的养分,加以融会、创造,在探索中编成了这部教材。曾于1986年应广东省文化厅之邀,在广州举办的七地区艺校教师进修班上,教授了这部教材的内容;广东省粤剧院和广州市粤剧团的一些演员也参加了学习。她在我院修业期间,曾向我院部分教师和同班同学,教授了长水袖技法,都收到了良好效果。许多同行希望能够编成文字教材印行,以便广于交流研究。为满足这一需求,我刊自本期起予以连载。
Comrade Tang Guiqin, the author of this textbook, is a performing professional teacher of the drama school in Shaanxi Province. He studied in the Department of Performing Arts of our college in 1987 for two years and is still teaching in the original school. Her years of teaching experience, based on the inheritance of the artistic achievements of older artists, to learn the nutrients of brotherhood, to be integrated, created, in the exploration compiled this textbook. He was invited by the Guangdong Provincial Department of Culture in 1986 to teach the contents of this textbook at the art school teachers’ training class in seven districts held in Guangzhou. Some performers from the Guangdong Yue Opera Theater and the Guangzhou Yue Opera Troupe also participated in the study. During her course of study in our college, she taught some teachers and classmates in our hospital and taught the technique of long sleeves, all of which received good results. Many of my colleagues hope that they will be able to write a printed textbook to facilitate their exchange of research. In order to meet this demand, I publish this issue from the beginning of this series.