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利用线来刻画物象,是人类原始的绘画手段,用线来表现事物的线条、特征、结构、装饰是东方绘画最早的表现形式。尽管中西绘画中都曾使用线,但其原始的出发点与美学观念有着本质的不同。以线立骨在中国绘画技法中有着特殊的意义,在西方绘画中没有线的概念,把绘画中的线看成是浓缩成无数个面和体积,正如绘画大师罗丹所说:“没有线,只有体积。当你们勾描的时候,千万不要只着眼于轮廓,而要注意形体的起伏,是起伏支配着轮廓。”①罗丹的说法完全抛开了线存在的实际意义而被另一种表现形式所替代。在西方的绘画表现中,对线的客观
The use of lines to depict objects is the primitive painting method of human beings. The lines, features, structures and decorations of the objects are represented by lines. The earliest manifestation of oriental painting is the decoration. Although both lines have been used in Chinese and Western paintings, their original starting point is essentially different from that of aesthetics. The fact that the vertical lineage has special significance in Chinese painting techniques has no notion of line in western painting. The line in painting is regarded as being condensed into numerous faces and volumes. As Rodolph said: “There is no line , Only volume.When you sketch, do not just focus on the outline, but pay attention to the ups and downs of the body, is the undulating domination of the outline. ”① Rodan completely put aside the actual meaning of the existence of the line was another A manifestation of the alternative. In the western painting performance, the objective of the line