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关于人与现实(代)世界的关系,或许是因为后者总是显得过于迅猛、混乱而且变化太快,在中国的当代艺术里,我们还很难看到这种经验的细化与内化。正是在这个主题之中,李继开打开了他的话语空间。他的作品是一部隐喻式的少年自传,伤感而抒情,但他以漫画般稚拙而又透明的笔触所刻画的,不仅止于日常经验与现实,更在于一座想象中的世界;他从来没有停止过有关自我和幸福的想象,他的语言因
The relationship between man and the real world might be because it is always too rapid, chaotic and too rapid to change. It is hard to see the refinement and internalization of this experience in contemporary Chinese art. It is in this theme, Li Jikai opened his discourse space. His work is a metaphorical teenager’s autobiography, sentimental and lyrical, but his portrayal of childlike but transparent comics not only ends with everyday experience and reality, but with an imagined world; he never Stop the imagination about self and happiness, his language because of