论文部分内容阅读
本文详细地调查了试验区域的法器和彩绘的病害,对彩绘的病害机理和绘制工艺进行了研究,确定了修复技术路线和修复工艺。此次修复研究的重点放在法器和彩绘的补色上,在补色过程中遵循了全彩的原则。针对法器彩绘残存不同的情况,本文采用三种不同的补色方案,并通过研究总结出法眼和背景云纹的补色规律。
In this paper, we investigated in detail the defects of the instruments and the painted areas in the experimental area, studied the disease mechanism and the painting process of the painting, and determined the repair technology route and the repair process. The focus of the restoration study is on the complementary colors of the prisms and painted figures, which follow the principle of full color in the complementary color process. Aiming at the different remnants of the finishes, this paper adopts three different complementary color schemes and summarizes the complementary color laws of the moire and the background moire through the research.