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本书反映了陆石同志艺文生涯的若干侧面,而以书法作品占的篇幅最多,这一点在本书的书名上也有体现。自幼受诗书薰陶,少年时代即投奔革命,从事政务、公安、文艺等多方面的活动,到了老年,越发深情于书法,沉醉于书法——陆石身上的这种现象,说明了什么?能否视为一种“回归”? 他受过比较严格的书法技巧的训练。四岁开始练字,仅“一”字就练了一个月,小学时代临颜(真卿)、柳(公权)、苏(东坡)、黄(庭坚),以后专攻魏碑。在长期曲折的人生旅途中,往往是无暇也无心握毛笔,但是一俟七十年代末筹备中国书法家协会的任务落到陆石身上,他立刻如鱼得水,发挥出素有的组织经验与才
This book reflects several aspects of Comrade Lu Shi’s artistic career, while the largest number of calligraphic works, this is also reflected in the title of the book. Since childhood, he has been inspired by poetry and books. In his early years, he went to revolution, engaged in various activities such as government affairs, public security, and literature and art. As a result, he became more and more in love with calligraphy Can it be regarded as a “return”? He has been trained in more stringent calligraphy skills. He started practicing at the age of four, practicing for only one month, primary school LinYan, liu (public right), su (dongpo), Huang (TingJian), and later specialized in WeiBen. In the long twists and turns of his journey of life, he often has no time or no heart to grasp the brush. However, once the task of preparing the Chinese calligrapher’s association fell to the land in the late 1970s, he immediately took the time to fulfill his organizational experience