多情自古伤离别——《西厢记·长亭送别》艺术魅力浅析

• 作 者: 余康发
• 出 处: 景德镇高专学报
• 发表日期: 1996年03期
• 关键词: 千古绝调 《莺莺传》 董西厢 王实甫 莺莺 董解元 张生 张君瑞 夕阳古道 离愁别恨

《西厢记》的故事,最早见于唐元稹写的小说《莺莺传》。金代时,艺人董解元将这个故事改编为《西厢记诸宫调》,俗称“董西厢”,其形式属说唱文学。元代王实甫,在《西厢记诸宫调》基础上,创作加工成《西厢记》,又称“王西厢”。其中的第四本第三折(俗称“长亭送别”),曲尽“多情自古伤离别”的情致和意蕴,警绝深至,堪称全剧的“戏眼”,成为辉耀艺坛的千古绝调,其艺术魅力历久弥新。

The story of “The Romance of the West Chamber” was first seen in the novel “Yingying” written by Tang Yuanjiu. When the Jin Dynasty, the artist Dong Jieyuan adapted the story to “The West Chamber”, commonly known as “Dong Xixiang,” in the form of rap literature. In the Yuan Dynasty, Wang Shih-fu was created and processed into “The West Chamber,” also known as “Wang Xi Chamber,” on the basis of the “West Chamber Notes”. The fourth of the third fold (commonly known as “Changting farewell”), the perfect “passionate farewell since ancient times,” the sentiment and implication, the police absolutely deep, called the play’s “eye”, a glorious art scene Eternal fine tune, the artistic charm of timeless.