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石窟中的佛像,各个时代皆有自己的特征。佛像的特征,一种明显可见,如外形、衣饰、色彩、绘塑方法等,通过感官的观察与比较,可以抓住其主要特点和变化趋势;另一种是造像的比例。为了掌握某一时代造像的比例,就必须对造像进行精确的实测。通过对大量造像有关部位的实测数据的计算、统计和比较,可以使我们对这些造像的比例和演变等问题有所了解。本文基于莫高窟北朝石窟造像比例的实测,与汉译《造像量度经》进行比照,是迄今中国学者探讨《造像量度经》与佛像雕造关系的唯一论文,对我们深入研究北朝佛教造型艺术具有重要的学术意义。
Buddha statues in the grottoes, each era has its own characteristics. The characteristics of the Buddha image, a clearly visible, such as shape, clothing, color, painting methods, through the senses of the observation and comparison, you can seize the main features and trends; the other is the proportion of statues. In order to grasp the proportions of the statues of a certain period, accurate measurements of the statues must be made. Through the calculation, statistics and comparison of the measured data of the relevant parts of a large number of statues, we can understand some issues such as the proportion and evolution of these statues. Based on the actual measurement of the statues of the Grottoes in the Northern Dynasties at the Mogao Grottoes and comparison with the Chinese version of The Statues of Statues of Statues, so far, the only Chinese essay on the relationship between the statues of the statues of the statues and the carvings of statues has been studied by Chinese scholars so far. It has important academic significance.