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在中国当代雕塑艺术的发展图景中,青年雕塑家戴耘近年来十分活跃,多次入选重要的当代雕塑展并获奖,引起专业界甚至媒体界的关注。其实,戴耘的艺术创作是在2000年前后进入活跃期的,在他的一系列作品中,都涉及了当代艺术的当下性与历史性的关系,用评论家鲁虹的话说,戴耘“努力地向大众文化学习并汲取精华,同时将自己所发现的文化问题置于历史的文脉中加以认真考量。所以他的作品既有当下性与大众性,又有历史性与深刻性”。1999年,戴耘在中央美术学院雕塑系的通道画廊举办展览时,我就注意到他努力在雕塑与当代文化之间建立互动关系的
In the context of the development of contemporary Chinese sculpture, Dai Yun, a young sculptor, has been active in recent years and has been selected as one of the most important contemporary sculptures and won numerous awards, arousing the attention of professionals and even the media. In fact, Dai Yun’s artistic creation entered the active period around 2000, and in his series of works all involved the contemporary sexuality and the historic relationship of contemporary art. In the words of critic Lu Hong, Dai Yun, “Efforts to learn from the popular culture and learn from the essence, while the cultural issues they found placed in the context of history to be carefully considered, so his works both contemporary and popular, historic and profound ”. In 1999, when Dai Yun held an exhibition in the Passage Gallery of the Sculpture Department of the Central Academy of Fine Arts, I noticed his efforts to establish an interactive relationship between sculpture and contemporary culture