电影音乐的实验

• 作 者: 秋山邦晴 张洪模
• 出 处: 电影艺术译丛
• 发表日期: 1979年01期
• 关键词: 电影音乐 作曲家 音乐评论家 芭蕾舞剧 现代音乐 日本音乐 无声电影 音色 实验 奥涅格

本文作者秋山邦晴是日本著名音乐评论家,写过《日本的作曲家》、《新兴作曲家走向现代音乐》、《日本音乐的半世纪》等专著。他认为“如果说十八世纪是歌剧的时代,十九世纪是芭蕾舞剧的时代,那么二十世纪就是电影音乐的时代”。对于如此重要的电影音乐,迄今还未作出系统、全面的总结。秋山邦晴准备写一专著,总述电影音乐的发展历史,并先写出《电影音乐的实验》一文作为“试论”。这种尝试是值得注意的。

The writer Akiyama Akiyama is a famous Japanese music critic who has written monographs such as “Japanese composers”, “emerging composers moving toward modern music” and “half a century of Japanese music.” In his opinion, “If the eighteenth century was an era of opera and the nineteenth century was an era of ballet, then the twentieth century was the era of film music.” To such an important film music, so far no systematic, comprehensive summary. Akiyama Akiyoshi prepares to write a monograph, summed up the history of the development of movie music, and first wrote a “movie music experiment” as a “trial.” This attempt is noteworthy.