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自1989在南京举办的第一届小剧场戏剧节以来,比较有代表性的全国性小剧场展演,在很长一段时间以来,一直是以院团的小剧场戏剧作品为主。其间,虽然也有些事实上非院团体制出品的作品,但也必须挂靠在学校、剧协等有演出资质的组织之下。比如1993年郑铮以“火狐狸剧社”的名义创作了《情感操练》,在参加1993年的小剧场戏剧节时,就挂靠在北京戏剧家协会之下。2000年以后,这种情况逐渐在发生变化。在2004年第八届中国戏剧节的“都宝”杯小剧场演出季中,就出现了由尹韬编导的《天
Since 1989, the first theater festival held in Nanjing, the representative national theater show has been dominated by theater theater productions for a long time. In the meantime, although there are some works that are actually produced by non-governmental organizations, they must also be anchored under the organizations that have performances such as schools and dramatists. For example, in 1993, Zheng Zheng created the “Emotion Drill” in the name of “Fox Reaver” and hung under the Beijing Dramatists Association when attending the 1993 Small Theater Festival. After 2000, the situation is gradually changing. In 2004, the Eighth China Theater Festival “DuPont ” a small theater show season, appeared by Yin Tao’s "God