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香港学校音乐教育中,很难找到中乐的影子。香港大学音乐系、浸会学院音乐系、清华书院音乐系、香港音专等有音乐课的公、私立大专院校,都没有中乐课程。中文大学音乐系请校外导师兼任中乐选修课,极少中乐。香港中小学音乐里,均以西乐为主。 香港殖民地政府对民间音乐一向不管。民间音乐自由发展,盛衰自有规律。广东音乐师东莞叶登说,他原是西环南货行职员,三十年代,工余晚上,老板、伙计常操:高胡、奏琴、笛、箫、班左之类,玩起小曲。其他潮乐、汉乐、各类戏曲(粤剧、京剧为主),各有听众。小曲三十年代在香港可谓极盛期。五、六十年代大滑坡,但多少还能听到一些,而七、八十年代以来几已绝响,占香港人口大多数的四十岁以下年轻一辈,几与之绝缘。
Hong Kong school music education, it is difficult to find the shadow of Chinese music. Hong Kong University Department of Music, Baptist College Department of Music, Tsinghua University Department of Music, Hong Kong Music and other music classes in public and private tertiary institutions, there is no Chinese music courses. The Chinese University Department of Music invited outside tutors as Chinese elective courses, very few music. Primary and secondary schools in Hong Kong are dominated by Western music. Hong Kong’s colonial government has always ignored folk music. Free development of folk music, prosperity and decline of its own law. Ye Dong, a Cantonese musician, said he was originally a staff member of the West Central South. In the 1930s, his wife and common people used to work in the evening of the 1930s: Gao Hu, playing the piano, flute, flute and class left. Other tide music, Chinese music, all kinds of opera (Cantonese opera, Peking opera based), each have their own audience. Songs in the thirties in Hong Kong can be described as the heyday. The upsurge in the 1950s and 1960s, however, can be heard with some noise. Since the 1970s and 1980s, the number of people have been extinct, accounting for the vast majority of Hong Kong’s younger generation under the age of 40, with a few insulation.