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沈行工的油画,八十年代初开始聚焦于江南风情,并由此拓开了一方个性化的艺术天地。凭着他训练有素的造型能力,旁搜博采的文化积累,对生活的理解和发现,对艺术的敏感和领悟,在事艺专一的创作追求中,十年时段,造就了作品附丽着地方色彩、令人解读玩味的鲜明特色。浸润于稻谷吐芳、“眉眼盈盈”的水乡,《月桥镇的早市》、《小镇春深》、《渡口细雨》、《荷塘村的姑娘们》等等作品,一度构成了沈行工创作生涯中的标志性而册注艺坛。事实上,作品中所塑造的那些淳朴、清纯、呼之欲出、状带当今“原生态”的农民、村姑们的形象,所流转着的那种滋润、平和、温馨的意绪,所饱蕴着的那份江南农村特有的生活美质,早已富于吸引力地嵌印在广大观众特别是艺术同行们的记忆屏幕上。无论是主题性的人物刻划,抑或是散文式的风景状写;无论对色彩语言的“修辞”把握,抑或对位置经营的“构成”借鉴,作品所体现的严谨到丝丝入扣的写实功夫,往往给人以生活的真实感亲切感、艺术的份量感抒怀感。那一阶段,他的作品宛如江南名曲《好一朵茉莉花》的旋
Shen Xinggong’s paintings began in the early 1980s with a focus on the southern customs and thus broadened the artistic world of one side. With his well-trained styling abilities, the cultural accumulation bystanderly, the understanding and discovery of life, the sensitivity and comprehension of art, and the ten-year period of creative pursuit of art-specific creation, Local colors, interpretation of the unique features of pondering. Infiltration in the rice spit, “eyebrow Ying Ying,” the water town, “the morning market in the town”, “the town of Spring”, “ferry drifts”, “Lotus village of the girls” and so on, Creative career in the landmark and annotation art circles. In fact, the images of the simple, pure, life-like peasants and village aunts shaped by today’s “original ecology”, the moist, peaceful and warm sentiments that are shaped by the works, contain Share of the unique quality of life in southern rural areas, has long been attractively embedded in the majority of viewers, especially the artistic colleagues of the memory screen. Whether it is the characterization of thematic figures or the prose style landscape writing, no matter the “rhetoric” of color language or the reference to “composition” of location management, Giving people the real sense of intimacy of life, art sense of mass expression. That stage, his works like Jiangnan famous song “a nice Jasmine” spin