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中国盆景艺术拖着为艺术而艺术的沉重翅膀,缓慢地走过了它1300余个春秋的艰难历程。千余年来,盆景作品是高雅的不能交换的艺术品已成为一种固有观念。其影响根深蒂固。至今仍有人认为盆景成为商品后便会失去其艺术的光彩与伟大的形象。有些艺术家甚至认为自已的作品被称为商品后会降低自己清高的品格和身份。这种狭隘的旧观念无异于作茧自缚,使得一直禁锢在封闭小圈子里的盆景艺术解放40年来仍然被紧锁手脚,难以腾飞。
Chinese bonsai art dragged heavy wings of art for the arts, slowly walked through its more than 1300 difficult journey of the Spring and Autumn Period. For more than a thousand years, the art of bonsai that is elegant and can not be exchanged has become an inherent concept. Its influence is deeply rooted. Still, some people think that after bonsai becomes a commodity, it will lose the luster and great image of its art. Some artists even think that their own work, known as goods, will lower their noble character and identity. This narrow concept of the past is tantamount to cocooning the bonsai art that has been detained in a closed circle for 40 years and is still locked in the hands and feet so that it can hardly take off.