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启功先生不同时期、不同书体的书法作品,尽管功用不一,风致多样,皆以清雅、醇和、明净、爽利、俊健为基本特色。这些特色的内质与外象,可用一个『清』字概括。也可以说,这些特色既是『清』的构成要素,又是『清』的体现。我们拜读启功先生的书法,之所以有清气洋溢之感,正是『清』的内质及外象的魅力使然。书法重『清』,清则澄明、雅致。这是作为雅文化的书法富含人文品质的根源和标志。书法又重『气』,因为气是书法活力的本源。启功先生书法形质的清明及气息的清新对上述有着充分的体现。正因为如此,他的书法焕发出了清雅的艺术精神。他那书法的清雅,又以用笔的纯净而不杂乱,体势的自然而不造作,通篇气息的纯正而不浑浊为形成的基础条件。当然,由于书家的气质、心绪、学养、笔墨特点和运畴手段的差异,而清雅型的书法又各有个性特点的内涵。我们立足于这一基点,再来研读启功先生的楷书、行书和草书作品,即可进一步感悟其书法的艺术特色,甚至各体之间的共性因素。
At different times, Mr. Qi Gong’s handwriting works of different calligraphies, though of different functions and varied styles, are characterized by elegant, mellow, clear, refreshing, and handsome. The inner and outer features of these features can be summarized by a “clear” character. It can also be said that these characteristics are both “clear” elements, but also “clear” embodiment. The reason why we have read the calligraphy of Mr. Qigong with a sense of sentimentality is the charm of the “clear” inner and outer image. Calligraphy heavy “clear” clear and clear, elegant. This is the origin and symbol of the rich cultural quality of calligraphy as the Ya culture. Calligraphy and heavy “gas”, because gas is the origin of calligrapher. Mr. Qigong’s calligraphic quality of the clear and fresh breath of the above have a full manifestation of. Because of this, his calligraphy glowed with elegant artistic spirit. The elegantness of his calligraphy, but also with the pure and not messy, physical and natural posture without making, pure and not pure atmosphere of the formation of the basic conditions. Of course, due to the difference between the calligrapher’s temperament, mood, schooling, pen and ink features and means of transportation, elegant calligraphy has the characteristics of individuality. We base ourselves on this point, again studying Qi Gong regular script, running script and cursive works, its artistic features to further insights calligraphy, and even common factors among the bodies.