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很想见见茅威涛。今年3月,听说她来参加全国第七届人民代表大会,于是,费尽几番周折,终于在她下榻的宾馆找到了她。作为一名地地道道的越剧迷,我只是存了很想见她的念头,全然忘记了记者采访的职责。不过,也因为此,我们如同朋友,相互间感到自然、亲切。面对这位迄今为止越剧界唯一的梅花奖——浙江小百花越剧团的茅威涛,我的记忆一下子闪回到8年前她在北京舞台上的音容笑貌。不论是《何文秀》中的何文秀、《汉宫怨》中的汉宣帝刘洵,还是《五女拜寿》中的邹士龙,均儒雅脱俗、潇洒飘逸,可谓演出了古代多情男子的极致。如今8年过去,生活中的茅威涛气度依旧洒脱,眼神依旧精灵,只是以精明干练的作风代替了舞台上的温柔缠绵。一见到我,茅威涛未谈及越剧,倒先啪啪亮出了她对文艺改革的5条建议。这时,我才意识到我心目中的越剧小生还是位人大代表。听她的建议,还的确
Want to see Maowen Tao In March this year, I heard that she came to attend the Seventh National People’s Congress, so I spent many twists and turns and finally found her at the hotel where she was staying. As an out-of-town filmgoer, I just kept the idea of wanting to see her completely forgotten the responsibility of reporters interviewed. However, because of this, we, like friends, feel natural and friendly with each other. Faced with Mao Weitao, who so far has been the only plum prize in Yue Opera, Zhejiang Xiaobaihua Yue Opera Troupe, my memory suddenly flashed back to her speech on Beijing’s stage eight years ago. Both He Wenxiu in “He Wenxiu”, Han Xuan Di Liu Xun in “Han Gong Yuan”, and Zou Shilong in “Five Womens Happy Birthday” are all refined and elegant, elegant and graceful, and can be described as the extreme of the ancient passionate men. Today, eight years later, the life of Maowei Tao grace is still free and easy, eyes are still elves, but with a smart and capable style instead of the gentle touching on stage. When I saw me, Maowen Tao did not talk about Shaoxing Opera, but she first popped up her five suggestions on literary and art reform. At this time, I realized that my mind is a small opera or pupil. Listen to her advice, indeed